Tobias Madison, U-Turn (Disambiguation), 2019
Letter snippets glued on reflective foil, tape; 98,5 × 106,5 cm; 106,5 × 114 cm (framed)

Tobias Madison, U-Turn (Disambiguation), 2019
Letter snippets glued on reflective foil, tape; 98,5 × 106,5 cm; 106,5 × 114 cm (framed)

Tobias Madison, U-Turn (Disambiguation), 2019
Letter snippets glued on reflective foil, tape; 98,5 × 106,5 cm; 106,5 × 114 cm (framed)

Progression (Harvest Hills - Coventry Hills), 2019
Installation view: HAUS, Drei, Cologne, 2019 (Sculptures by Henri Chopin)

Progression (Harvest Hills - Coventry Hills), 2019 (partly)
Installation view: HAUS, Drei, Cologne, 2019 (Sculptures by Henri Chopin)

Rosa Aiello, Outcome, 2019
Upholstery fabric, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello, Setting, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello Suspense, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello, Conditioning, 2019
Digital print, photo rag paper, acetate film, glue, upholstery fabric, aluminium frames; Diptych: 62,4 × 41,2 cm

Rosa Aiello Configuration I, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello, Configuration II, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frames; Diptych: 62,4 × 41,2 cm

Rosa Aiello, A name, a word, or a sound repeated, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello, Two stories take place in two separate rooms, until the two stories meet, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello, The way the rooms of the two houses are arranged determines the flow of events, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello,Because the house layout is determined by a standard, the people that live and ather in the house are standardized., 2019
Digital print, photo rag paper, acetate film, glue, aluminium frame; 31,2 × 41,2 cm

Rosa Aiello, Number of accounts of an incident, 2019
Digital print, photo rag paper, acetate film, glue, aluminium frames; 62,4 × 41,2 cm

HAUS
Drei, Cologne, 2019

Julia Scher, Atelier Trier, 1991
Four surveillance cameras, five b/w surveillance monitors, brackets, switchers, character generator, media player, cables, wires, power strips, video footage digitized from VHS; Dimensions variable

Untitled (Associate), 2019
Intaglio on velvet; aluminium shadow frame; 135 × 135 cm; 137 × 137 cm (framed) (Installation view: Drei, Cologne, 2019)

Untitled (Associate), 2019
Intaglio on velvet; aluminium shadow frame; 135 × 135 cm; 137 × 137 cm (framed)

Cast lead; 45 × 45 × 2 cm

Tobias Madison, 2016, 2017
Cast lead; 45 × 45 × 2 cm

Tobias Madison, 2016, 2017
Cast lead; 45 × 45 × 2 cm

civ, 2018
Acrylic, cigarette filters, wire, cigarette papers on linen; 30 × 40,5 cm

Julia Scher Computer Niche (Transgressions), 1993 / 2019 Wall niche, white walls, wire mesh fence, cube monitor, vintage table, translation of an originally English text by the artist that she presented at "Transgressions Within The White Cube: Re-Considering Inter-Relationships Between Site, Object, Installation, Identity, and the Socio-Political", a panel with Mark Dion, Renée Green, Sean Landers, Lois Nesbitt, and Julia Scher, organized and moderated by Joshua Decter at The School of Visual Arts, New York, November 1992; Loop Dimensions variable

Horst Ademeit, 0333, 06.09.1991
Hand-edited Polaroid; 11 × 9 cm

Horst Ademeit, 0333, 06.09.1991
Hand-edited Polaroid; 11 × 9 cm

Horst Ademeit, 4256, 09.11.2000
Hand-edited Polaroid; 11 × 9 cm

Horst Ademeit, 4256, 09.11.2000
Hand-edited Polaroid, 11 × 9 cm