Noemi Weber critically engages with dominant narratives of Western painting and traditional art history, proposing reinterpretations that expand the established registers of artistic production and reception. Her work reveals the entanglements of gestural painting with ornament and dance, and questions dichotomies between folklore and fine art, as well as individual and collective modes of creation.
Still life, 2026
Acrylic, cellulose, marble dust, canvas; 160 × 195 cm / 63 × 76 ¾ in
Untitled, 2026
Acrylic, paper; 41,5 x 57,5 cm / 16 ⅜ × 22 ⅝ in; 48,2 x 64,3 x 3 cm / 19 × 25 ⅜ × 1 ⅛ in (framed)
Stranger sites, 2026
Acrylic, cellulose, marble dust, canvas; Two parts, 310 × 340 cm / 122 × 133 ⅞ in
Stranger sites, 2026
Acrylic, cellulose, marble dust, canvas; Two parts, 310 × 340 cm / 122 × 133 ⅞ in
Stillleben mit Schimmelblüte und Birne, 2026
Acrylic, cellulose, marble dust, canvas; 211 × 175 cm / 83 ⅛ × 68 ⅞ in
Stillleben mit Schimmelblüte und Birne, 2026
Acrylic, cellulose, marble dust, canvas; 211 × 175 cm / 83 ⅛ × 68 ⅞ in
Aahhh, 2026
Acrylic, cellulose, marble dust, canvas; 182 × 182 cm / 71 ⅝ × 71 ⅝ in
The other life, 2026
Acrylic, cellulose, marble dust, canvas; 310 × 175 cm / 122 × 68 ⅞ in
The other life, 2026
Acrylic, cellulose, marble dust, canvas; 310 × 175 cm / 122 × 68 ⅞ in
Noemi Weber: Renaissance State of Mind\ing – Inhabitation, 2025
Kirkeby-Kapelle, Raketenstation, Neuss. Photo: Jana Buch
Untitled (The Cabinet of Anthropomorphic Shadows), 2025
Acrylic paint, cellulose, marble powder, staples, canvas on stretcher frame 190 × 130 cm / 74 ¾ × 51 ⅛ in
Calm, the stage is never empty (Renaissance State of Mind\ing - Inhabitation), 2025
Acrylic paint, cellulose, marble powder, staples, canvas on stretcher frame Four parts (190 x 80 cm, 190 x 155 cm, 190 x 75 cm, 190 x 140 cm): 190 × 450 cm / 74 ¾ × 177 ⅛ in
Renaissance Human / Vitruvian Dance (Renaissance State of Mind\ing - Inhabitation), 2025
Acrylic paint, staples, canvas on stretcher frame
190 × 150 cm / 74 ¾ × 59 in
Noemi Weber: Renaissance State of Mind\ing – Inhabitation, 2025
Kirkeby-Kapelle, Raketenstation, Neuss. Photo: Jana Buch
Ghost II (The Cabinet of Anthropomorphic shadows), 2025
Acrylic paint, cellulose, marble powder, staples, canvas on stretcher frame 190 × 135 cm / 74 ¾ × 53 ⅛ in
Untitled (The Cabinet of Anthropomorphic Shadows), 2025
Acrylic paint, cellulose, marble powder, staples, canvas on stretcher frame 190 × 155 cm / 74 ¾ × 61 in
Foggy Sight (The Cabinet of Anthropomorphic Shadows), 2025
Acrylic paint, cellulose, marble powder on canvas
190 × 145 cm / 74 ¾ × 57 ⅛ in
Noemi Weber: When It Moves, Strengthening Its Skin, Dortmunder Kunstverein, Dortmund (Performance), 2022
When It Moves, Strengthening Its Skin, Dortmunder Kunstverein, Dortmund (Performance), 2022
When It Moves, Strengthening Its Skin, Dortmunder Kunstverein, Dortmund (Performance), 2022
Precious Pretender, 2022
Acrylic, oil pastel, eyelet, wedged stretcher 190 × 141 cm / 74 ¾ × 55 ½ in
Precious Pretender, 2022
Acrylic, oil pastel, eyelet, wedged stretcher 190 × 141 cm / 74 ¾ × 55 ½ in
Precious Pretender, 2022
Installationview:
K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf