Cédric Eisenring’s practice, spanning media as diverse as photography, print, and site-specific installation, explores the inter-dependency between what is deemed factual, industrial or (infra-)structural and its alleged opposite, the fictional, imaginary or contingent.
Clouds (bleached), 2025
Woodcut embossing on velvet, wooden stretcher, wooden frame; 80,5 × 80 cm / 31 3/4 × 31 1/2 in
Curtain, 2025
Woodcut embossing on velvet, velvet pompons, wooden stretcher, wooden frame; 123 × 122 cm / 48 3/8 × 48 in
Curtain, 2025 (detail)
Woodcut embossing on velvet, velvet pompons, wooden stretcher, wooden frame; 123 × 122 cm / 48 3/8 × 48 in
Tailor, 2025
Woodcut embossing on velvet, wooden stretcher, wooden frame; 106 × 106 cm / 41 3/4 × 41 3/4 in
Tailor, 2025 (detail)
Woodcut embossing on velvet, wooden stretcher, wooden frame; 106 × 106 cm / 41 3/4 × 41 3/4 in
Opium (bleached), 2025
Woodcut embossing on velvet, wooden stretcher, wooden frame; 96 × 141 cm / 37 3/4 × 55 1/2 in
Flute, 2025
Woodcut embossing on velvet, wooden stretcher, wooden frame; 112 × 111,5 cm / 44 1/8 × 43 7/8 in
Puder (Clouds), 2025
Woodcut embossing on velvet, wooden stretcher, wooden frame; 74 × 162 cm / 29 1/8 × 63 3/4 in
Puder
Stadtgalerie, Bern, 2024
Puder
Stadtgalerie, Bern, 2024
Puder (gelb), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 77 cm / 34 ¼ × 30 ⅜ in
Puder (dunkelblau), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 77 cm / 34 ¼ × 30 ⅜ in
Puder (dunkelblau), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 77 cm / 34 ¼ × 30 ⅜ in
Puder (anthrazit), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 92,5 × 92 cm / 36 ⅜ × 36 ¼ in
Puder (hellgrau 2), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 104 × 92,5 cm (41" × 36 ⅜")
Puder
Stadtgalerie, Bern, 2024
Puder
Stadtgalerie, Bern, 2024
Puder (altrosa), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 87 cm / 34 ¼ × 34 ¼ in
Puder (orange), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 92 × 92 cm / 36 ¼ × 36 ¼ in
Puder
Stadtgalerie, Bern, 2024
Puder (dunkelgrün, hellgrün, anthrazit, dunkelblau), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 110 × 109,5 cm / 43 ¼ × 43 ⅛ in
Puder
Stadtgalerie, Bern, 2024
Puder (dunkelgrün), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 94 × 94 cm / 37 × 37 in
Puder (beige), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 88 × 91 cm / 34 ⅝ × 35 ⅞ in
Puder
Stadtgalerie, Bern, 2024
Puder (ultramarin), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 81,5 × 82 cm / 32 ⅛ × 32 ¼ in
Puder (hellgrün), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 71,5 × 71 cm / 28 ⅛ × 28 in
Art Cologne, 2021
Gate I, 2020
Drypoint etching; 150 × 90 cm
Superdream
Drei, Cologne, 2021
Superdream
Drei, Cologne, 2021
Intercom 10, 2021
Double-sided inkjet print on Alucore; 60 × 47 × 2 cm
Installation view: Drei, Cologne, 2021
pink/ green light
Galerie Kirchgasse, Steckborn, 2021
pink/ green light
Galerie Kirchgasse, Steckborn, 2021
pink/ green light
Galerie Kirchgasse, Steckborn, 2021
pink/ green light 16, 2020
Inkjet print; 46 x 53 cm
pink/ green light 1, 2020
Inkjet print; 46 x 53 cm
pink/ green light 12, 2020
Inkjet print; 46 x 53 cm
pink/ green light 8, 2020
Inkjet print; 46 x 53 cm
Untitled (Associate), 2019
Intaglio on velvet; aluminium shadow frame; 135 × 135 cm; 137 × 137 cm (framed)
Untitled (Associate), 2019
Intaglio on velvet; aluminium shadow frame; 135 × 135 cm; 137 × 137 cm (framed)
(Installation view: Drei, Cologne, 2019)
HAUS
Drei, Cologne, 2019
Signal to Noise, 2019
B/w photograph on baryte paper, photo retouch color, marker on aluminium; 100,5 × 75 cm
Signal to Noise
Drei, Cologne, 2019
Signal to Noise, 2019
B/w photograph on baryte paper, photo retouch color, marker on aluminium; 84,5 × 103 cm
Signal to Noise
Frieze New York, 2019
Safelight, 2019
Oil on vintage Kodak Safelight lamp, bulb, colored glass, wire; 32,4 × 36,3 × 16,6 cm
Cédric Eisenring
Aargauer Kunsthaus, Aarau, Switzerland, 2018
Horizontal Box, 2018
Acrylic on cardboard boxes (various parts); Various dimensions
Cédric Eisenring
Galerie Kirchgasse, Steckborn, 2018
Head Games I , 2017
Pigmented epoxy resin, steel; 205 × 145 × 2,5 cm
Head Games III, 2017
Pigmented epoxy resin, steel; 205 × 145 × 2,5 cm
Head Games III, 2017
Pigmented epoxy resin, steel; 205 × 145 × 2,5 cm
(Installation view: Galerie Kirchgasse, Steckborn, 2018)
Schmierige Nebel
Drei, Cologne, 2017
Industrial Dreamer, 2017
Dry point etching (three parts), needles, velvet; 138 × 240 cm
Schmierige Nebel
Drei, Cologne, 2017
Bohren, 2017
Crayon on heliogravure, needles, velvet; 123 × 100 cm
Loggia (Schmierige Nebel), 2017
Alabaster plaster; 60 × 11,5 × 7,5 cm (Installation view: Schmierige Nebel, Drei, Cologne, 2017)
Kai Althoff, Lutz Braun, Cédric Eisenring, Anne Rößner
Galerie Kirchgasse, Steckborn, 2016
Loggia, 2016
Alabaster plaster, resin; Various dimensions
Das Meeting, 2016
Crayon on heliogravure; 170 × 250 cm
Senfte, 2015
Copper, etching, glass, resin, Various dimensions
Yellow Gate, 2015
Installation view: Signal Failure, Pace Gallery, London, 2015
Yellow Gate, 2015
Installation view: Signal Failure, Pace Gallery, London, 2015
Yellow Gate, 2015
Installation view: Schlupfkluft, Taylor Macklin, Zurich, 2015
Samtgrotte, 2015
Mixed media; Various dimensions
Samtgrotte, 2015 (detail)