Cédric Eisenring’s practice, spanning media as diverse as photography, print, and site-specific installation, explores the inter-dependency between what is deemed factual, industrial or (infra-)structural and its alleged opposite, the fictional, imaginary or contingent.
Fäustling
Kirchgasse, Steckborn
October 5 – December 14, 2024
Puder (gelb), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 77 cm / 34 ¼ × 30 ⅜ in
Puder (dunkelblau), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 77 cm / 34 ¼ × 30 ⅜ in
Puder (dunkelblau), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 77 cm / 34 ¼ × 30 ⅜ in
Puder (anthrazit), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 92,5 × 92 cm / 36 ⅜ × 36 ¼ in
Puder (hellgrau 2), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 104 × 92,5 cm (41" × 36 ⅜")
Puder (altrosa), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 87 × 87 cm / 34 ¼ × 34 ¼ in
Puder (orange), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 92 × 92 cm / 36 ¼ × 36 ¼ in
Puder (dunkelgrün, hellgrün, anthrazit, dunkelblau), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 110 × 109,5 cm / 43 ¼ × 43 ⅛ in
Puder (dunkelgrün), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 94 × 94 cm / 37 × 37 in
Puder (beige), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 88 × 91 cm / 34 ⅝ × 35 ⅞ in
Puder (ultramarin), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 81,5 × 82 cm / 32 ⅛ × 32 ¼ in
Puder (hellgrün), 2024
Woodcut embossing on velvet, wooden stretcher, wooden frame; 71,5 × 71 cm / 28 ⅛ × 28 in
Intercom 10, 2021
Double-sided inkjet print on Alucore; 60 × 47 × 2 cm
Installation view: Drei, Cologne, 2021
Untitled (Associate), 2019
Intaglio on velvet; aluminium shadow frame; 135 × 135 cm; 137 × 137 cm (framed)
Untitled (Associate), 2019
Intaglio on velvet; aluminium shadow frame; 135 × 135 cm; 137 × 137 cm (framed)
(Installation view: Drei, Cologne, 2019)
Signal to Noise, 2019
B/w photograph on baryte paper, photo retouch color, marker on aluminium; 100,5 × 75 cm
Signal to Noise, 2019
B/w photograph on baryte paper, photo retouch color, marker on aluminium; 84,5 × 103 cm
Safelight, 2019
Oil on vintage Kodak Safelight lamp, bulb, colored glass, wire; 32,4 × 36,3 × 16,6 cm
Head Games III, 2017
Pigmented epoxy resin, steel; 205 × 145 × 2,5 cm
(Installation view: Galerie Kirchgasse, Steckborn, 2018)